The FX Send jack allows this same signal to be used with an external effects processor. The effect amounts can be set individually for each channel, either before or after (pre/post) the main fader setting for added versatility. There are fifteen variations in all-plus an effect bypass. Take your pick from eight premium digital effects, ranging from plate and hall reverb mainstays, to specialties such as rotary speaker and flanger effects. These channels are ideal for stereo sources such as a keyboard, electronic drum set, drum machine, external mixer, etc. Channels 9-16 have been set as stereo pairs, offering 1/4" Left and Right inputs and a two-band EQ. Offering a three-band EQ with a fixed mid frequency, these channels are otherwise identical to Channels 1-4. Channel 8 includes a guitar direct switch, allowing a guitar or bass to be plugged directly into the MultiMix USB FX without the need for a level or impedance matching preamp. Channels 5-8 are excellent for mic’ing drums or instruments, as well as backing vocals. Each input offers an XLR jack-tied to a discrete-design preamp with selectable phantom power, a 1/4" line input, and a 1/4" TRS insert jack. The three-band EQ features sweep-able mids. Channels 1-4 are perfect for lead vocals or acoustic instruments, delivering detailed tone control and a wide array of input versatility. All XLR input channels (Channels 1-8) provide a gain knob for setting the proper input level, and a low-cut filter to reduce unwanted low-frequency interference. The MultiMix 16 USB FX provides three distinct input categories, offering the versatility needed to deliver superior results from any audio source. The pre-fader aux knobs are ideal for creating a separate monitor mix. In addition, each channel offers a send knob-complete with pre- and post- fader switching-to deliver the correct amount of signal to the onboard DSP effects. ALESIS MULTIMIX 4 USB FX HISS SOFTWARECubase 6 LE recording software is included to help get you started.Įach channel is equipped with a smooth 60mm fader, a pan knob, a multi-band EQ, plus mute and solo buttons with LED indicators. Brimming with hardware controls and connections, the MultiMix 16 USB FX can make the most of any mixing or recording opportunity. The low-profile MultiMix 16 USB FX is compact, convenient, easy to use, and comes well equipped with the features professionals demand. Now you can mix, remix, and record to your computer, all at the same time. This versatile live and recording mixer offers built-in digital effects-plus, it serves double duty as a USB audio interface. Get the job done with the incredibly agile Alesis MultiMix 16 USB FX. ALESIS MULTIMIX 4 USB FX HISS MACSame story on the effect module.Mix the whole band, add effects, and interface with your Mac or PC. Result, the PDO input bistable go on (because they have more wired these PDO anyhow: a reaction against + input, we've seen everything!), And sent me the table of five or -5V DC on the input jacks. I remedied the defect by replacing the stereo preamp input transistor preamps homemade, and I have greatly earned! You should know that Behringer makes economies everywhere, even on capas decoupling: there is none. Why did I put "average" here? simply because the stereo channels have flashed all at once: loss of income and large saturation. Small ERfKE, small concerts bistro, animation: nice console and mat. I was still pleasantly surprised by the great headphone that gives a broad spectrum (finally serious! Behringer had never been very good on this side of the headphone amplifiers). The équalos on mono channels work well, are not very useful on the stereo channels (not precise). Sound pretty clean until we not turn the pots thoroughly (breath, loss of linearity). The features are no longer present, four mic channels with built-in compressor, 4 stereo channels, two starts (including one on the internal effect), a stereo bus, an ST interface in / out USBĪ console everything more intuitive, except for the section / return that asks to look to find the correct routing
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